Arslan says of his staging method: “I attempt to work with the camera as objectively as I can. I see the camera as an autonomous part of filmmaking; it is not there primarily to trigger emotions. I am interested in letting the emotions evolve **** indirectly, not in forcing them through the *****. This has also something to do with respect for ** characters. A close-up shot is not the only way to convey closeness to them.”//filmgalerie451
ljoha 2024-07-02
对眼睛很好的绿色电影,感谢歌德学院!
brennteiskalt 2024-06-30
阿斯兰的「假期」就像是嫉妒同事夏娜莱克而赌气整出来的二流拷贝。度假的自然乐园本就和无聊荒芜的乡下是一体两面,发生转换的根源在哪里,这才是作品本该着力探讨的,无论是在内容层面或是通过形式上的革新。而阿斯兰装作激进的样子,把契诃夫的现实主义继续简化为情感上的迟钝,但内容上陈旧无**同时,也没有形式上的任何创新。他在美学上远远没能完成反思徳式家庭日常悲剧根源的设想。
Onceinaredmoon 2023-11-07
一个安静的角落,可以没有任何理由。
断了气儿 2023-09-09
3.5 画面很是漂亮 夏天的度假电影 片中音乐很有**韵味 也是关于家庭琐碎 只是四代人看起来有些脸盲
YiQiao 2022-03-14
Arslan says of his staging method: “I attempt to work with the camera as objectively as I can. I see the camera as an autonomous part of filmmaking; it is not there primarily to trigger emotions. I am interested in letting the emotions evolve **** indirectly, not in forcing them through the *****. This has also something to do with respect for ** characters. A close-up shot is not the only way to convey closeness to them.”//filmgalerie451
小易甫 2012-03-04
柏林学派的宗旨就是:只有摄影,其余全无。